FAUXTOGRAPHY

Lying with Photographs:
An Analytical Framework


UCR ARTS: California Museum of Photography
Curated by Douglas McCulloh


Lies are ever-present in human affairs, a tidal flow that rises and falls. Recently, lies have been at flood stage and photographs are central to the surge.

Statements, strings of words, are readily seen as assertions, claims. Photographs, on the other hand, are presumed to be a form of evidence. In Susan Sontag’s phrase, we assume photographs are “directly stenciled off the real.” Consequently, photographs, even dubious ones, carry credence in a way that words do not. Moreover, writes theorist Lev Manovich, “the reason we think that computer graphics technology has succeeded in faking reality is that we, over the course of the last hundred and fifty years, have come to accept the image of photography and film as reality.” For these main reasons and scores of lesser ones, photographs are ideal vehicles for lies. (Read More)


Additional Notes:
Sources for the Specimens
Mongrels and Crossbreeds
On the Nature of Lies
Marvels and Magical Beliefs 
Precursors
On Abundance


1. Manipulated  (Read More)
    1.1    Fog and Pestilence    
    1.2   Don’t Believe Your Lion Eyes
    1.3   Wriggling, Writhing, and ‘Rithmatic’
    1.4   The Case of the Body Double
    1.5   Failed Photoshop’s Peak Point
    1.6   Face Reality
    1.7   ‘Triple-washed & Sanitized’

2. Manufactured (Read More)
    2.1   Cross Purposes
    2.2   Political Theater
    2.3   Asleep at the Real
    2.4   Expect the Wurst
    2.5   Black and White
    2.6   The Real Thing. Perhaps.
    2.7   Elongated
    2.8   In Space They Can’t Hear You Lie
    2.9   Cute Overload
    2.10  Dead Real

3. Recontextualized (Read More)
    3.1   Blue-eyed Boy
    3.2  A Glowing Future
    3.3  Blowing Smoke
    3.4 This Many Pictures...
    3.5  Targeted
    3.6  Costume Drama
    3.7  Fish Story
    3.8  Extracting the Truth
    3.9  Secrets Serviced
    3.10 Against the Wall
    3.11  Commemoration

4. Timeshifted (Read More)
    4.1  All the Rage
    4.2  Catnip
    4.3  Time Travel
    4.4  Masquerade
    4.5  Beach Pathology

5. Extracted (Read More)
    5.1  Chapter and Verse
    5.2  Whitewashing
    5.3  The Case of the Melting Cars
    5.4  Deadly Serious
    5.5  Striking
    5.6  Smell a Rat

6. Mirrored (Read More)
    6.1  Orange Appeal
    6.2  Crouching Panther, Hidden
            Photoshop

    6.3  Fool’s Gold

7. Denied (Read More)
    7.1  Kidding
    7.2  Pregnant with Meaning
    7.3  A Lot to Learn
    7.4  Out to Sea
    7.5  Vial Lies

© UC Regents 2022
Mark

Expect the Wurst




Authority confers credibility. Even in the golden age of lying, we grant veracity to images from especially qualified, authoritative sources.

The Claim
Étienne Klein is an esteemed theoretical physicist.  He is a research director at France’s Alternative Energies and Atomic Energy Commission (Commissariat à l'énergie atomique et aux énergies alternatives). On July 22, 2022, Klein tweeted the latest photo from the newly operational $10 billion James Webb Space Telescope: a fiery red and gold solar disc. “Picture of Proxima Centauri, the nearest star to the Sun, located 4.2 light years away from us. It was taken by the James Webb Space Telescope. This level of detail… A new world is unveiled everyday,” he told more than 91,000 followers. Thousands of users retweeted.

The Lie
The photograph shows a slice of Spanish chorizo photographed against a black background. Klein apologized for the visual prank, “a scientist’s joke.” “Let’s learn to be wary of the arguments from positions of authority as much as the spontaneous eloquence of certain images.” His intention, he said, was “to urge caution regarding images that seem to speak for themselves.” “According to contemporary cosmology,” summarized Klein, “no object related to Spanish charcuterie exists anywhere else other than on Earth”